Home
About Us
Season Schedule
Frances Dawson
Chamber Singers

Guest Artists
Program Notes
Reviews

Tickets
Tickets-Online
Support the CPC
Sponsors
Local Arts
Auditions
Contact Us
Guest Artists
Photo Gallery

 This season's guest artists:

Mary Ann McCormick, Mezzo-soprano

Internationally acclaimed mezzo-soprano Mary Ann McCormick has been hailed in the press as "charismatic", "spell-binding", and "elegant". In addition to the privilege of working with many of the great conductors of our time, including Wolfgang Sawallisch, James Levine, Christoph von Dohnanyi, and Kurt Masur, she has sung with many of the finest orchestras and opera companies including the New York Philharmonic, The Philadelphia Orchestra, The Cleveland Orchestra, The Boston Symphony, The Metropolitan Opera, The Lyric Opera of Chicago, Teatro la Fenice, Teatro alla Scala di Milano, and The Paris Opera. MaryAnn has recorded with the Emerson String Quartet, Orchestre National de France, and The New York Philharmonic, and is featured singing in the Miramax film "The Talented Mr. Ripley". Her recent accomplishments include performances as Carmen with Theater St. Gallen, Switzerland and Teatro dell'Opera di Roma, in Mahler's Das Lied von der Erde with the Chamber Orchestra of Philadelphia, and a tribute concert in Avery Fisher Hall for Luciano Pavarotti.

Charles Reid, Tenor

CPC welcomes back to this season's schedule, tenor Charles Reid, pictured at left performing in Rigoletto at the Mannheim Opera in Germany. Charles Reid’s 2008/09 season at the Nationaltheater Mannheim included his debut as Nemorino in L’elisir d’amore, followed by Tamino in Die Zauberflöte, and Alfredo in La Traviata. Renowned German critic, Gabor Halasz, wrote, “Charles Reid gave a vocal and musical performance of Alfredo without any limitations or boundaries, with a shimmering tenor voice, flawless technique, extraordinary feeling for style, and very clear intonation.” The summer saw Mr. Reid’s second season at the Bayreuther Festpsiele where he reprised the role of Kunz Vogelgesang in Katharina Wagner’s production of Die Meistersinger von Nürnberg. Charles followed this with his debut as Duca di Mantua in the Stadttheater Giessen production of Verdi’s Rigoletto. This fall also brings Mr. Reid’s debut with Deutsche Oper am Rhein, Düsseldorf, singing Sinowij in Schostakowich’s Lady Macbeth von Mzensk. In the spring, Charles debuts as Macduff in the Nationaltheater Mannheim new production of Verdi’s Macbeth, and sings Don Ottavio in Don Giovanni. In addition to nine seasons with the Metropolitan Opera, other U.S. opera highlights include performances with San Francisco Opera, Connecticut Opera, Spoleto Festival USA, and Sarasota Opera. Columbia audiences will remember his many performances in Messiah and in Verdi's Requiem, Janácek's Otce nás, and Dvořák's Stabat Mater.

Lester Lynch, baritone

Lester Lynch is recognized as one of today's most promising Verdi baritones.  Hailed by the New York Times as "magnificently forceful," for his Carnegie Hall performance at the Marilyn Horne Foundation Gala, Lynch has been praised for his performances at major opera companies throughout the world.  A native of Ohio, Mr. Lynch has studied at the Julliard Opera School before making his debut as Marcello in La Boheme with New York City Opera.  Other important debuts followed, including Gremont in La Traviata with Houston Grand Opera, Count di Luna in Il Travatore with Deutsche Oper am Rhein and Seattle Opera and Flint in Billy Budd with Canadian Opera Company.  The baritone has enjoyed long association with Opera Theatre of St. Louis where he has received critical acclaim for his performance of Calchas in Le Belle Helene, Marcello in La Boheme, and the bartender in Susa's Black River.  Just this past summer, Lester was heard as Paolo in the Santa Fe Opera's new production of Simone Boccanegra, where the New Mexican said he sang "with imposing force," and that when he was on stage, "the air snapped."  Mr. Lynch has also recently joined the roster of the Lyric Opera of Chicago as Alfio/Tonio in Cavelleria Rusticana and I Pagliacci as well as a return to the company for the High Priest in Samson and Dalila. Mr. Lynch made an important debut in the title role of Rigoletto with Dayton Opera, where he was noted for his "powerful and intensely moving" performance of the tragic jester.

Amy Van Roekel, soprano

Praised by the Washington Post as a “lovely singer and accomplished actress” with “limpid tone and agile high notes”, soprano Amy van Roekel has established herself as a vibrant and captivating performer on both the operatic and concert stage. Ms. van Roekel has sung roles with Florida Grand Opera, Lyric Opera Cleveland, Central City Opera, Chautauqua Opera, the Opera Theatre of Northern Virginia and Metro Lyric Opera in New Jersey.  In recent years she has been a prominent artist with American Opera Projects in New York City and is frequently called on to premiere new works.  This past year she was involved in several exciting projects: Séance on a Wet Afternoon - a new opera by Grammy and Academy-Award-Winner, Stephen Schwartz (Wicked, Godspell); Opera After Hours – a compilation of several short operas woven together by acclaimed director, Christopher Alden at New York City’s cutting-edge Zipper Factory Theater; and the world premiere of Oresteia, - a multi-media opera by Iannis Xenakis performed in ancient greek at the Miller Theatre in New York City.  She is in demand as a concert soloist and has been heard across the country with groups such as the Master Chorale of Washington at the Kennedy Center, the National Symphony, the Buffalo Philharmonic, the Louisiana Philharmonic, the Virginia Symphony, the Chamber Orchestra of Philadelphia, the Santa Fe Symphony, the Kalamazoo Symphony, the North Arkansas Symphony, Lincoln Center’s Mostly Mozart Festival, and the Baltimore Choral Arts Society. In addition to her concert and opera credits, Ms. van Roekel also enjoys performing jazz and cabaret.  She was a featured artist with the New York City Ballet, performing American standards under the baton of George Steel and his Gotham City Orchestra in St-Rémy, France.  She has been a winner of the National Symphony Orchestra’s Concerto Competition, a Regional Finalist in the Metropolitan Opera National Council Auditions, and an award winner in the Washington International Competition for Singers. Ms. van Roekel holds degrees from the University of Michigan and the University of Maryland.

Alison Gatwood, pianist

Alison Francis Gatwood, recently married to violinist Jody Gatwood,  is a music educator, performer and parent who has lived and worked in Howard County since 1985. Born in Guam, she studied piano performance at American University at age 9. Alison received her Bachelor's Degree with honors from the Eastman School of Music, and her Master's Degree from the Peabody Conservatory of Music, where she studied with Leon Fleisher.  Alison taught music history, analysis and directed the chorus at Villa Julie College before accepting a position as Music Specialist in the Howard County Schools. She presently teaches vocal music at Bryant Woods Elementary. In 2002-2003 she was named Howard County Music Teacher of the Year. She currently serves on the Music Leadership Team, the Peabody Steering Committee, and the Artistic Review Panel of the Howard County Arts Council.  She is a past member of the Martin Luther King Holiday Commission.

Alison's strong interest in vocal performance led her to the Columbia Pro Cantare in 1985. Since that time she has soloed with this group in both piano and voice. Alison accompanied the Chamber Singers on tours to the Czech Republic, England and Poland.  Since 1985 Alison has served as Music Director to St. Andrew's Episcopal Church in Glenwood, Maryland. She has written over 100 original songs for use in worship. Alison studies voice with Marianna Busching and piano with Brian Ganz, both teachers at the Peabody Conservatory.