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This season's guest artists:

Mary Ann McCormick, Mezzo-soprano

Internationally acclaimed mezzo-soprano MaryAnn McCormick has been hailed in the press as "charismatic", "spell-binding",and "elegant". Her international credits include Isabella in L'italiana in Algeri at La Scala, Azucena in Il trovatore at the Teatro Regio Torino, and First Maid in Elektra with Christoph von Dohnanyi at the Opéra National de Paris.  She has also performed Maddalena in Rigoletto under Daniele Gatti at the Teatro Comunale di Bologna and with Seattle Opera and Gluck's Alceste under Bruno Bartoletti at the Teatro Regio di Parma. Her recent accomplishments include performances as"Carmen" with Theater St. Gallen, Switzerland of which the critics wrote "She acts and sings a wonderful Carmen" a role she has also performed with Teatro dell'Opera di Roma, Teatro Regio di Torino and the Staatsoper Stuttgart among others. MaryAnn returned to the Metropolitan Opera in their 2011 season to sing the role of Grimgerde in their new production of Die Walküre which was broadcast in HD in theaters internationally.  This production part of the complete Ring Cycle was recently released on DVD and also won the 2012 Grammy award for Best Classical Album. In recent seasons she made debuts with both Teatro la Fenice in Die Walküre conducted byJeffrey Tate and Teatro dell'Opera di Roma as "Priyamvada" in Alfano's Sakuntala. She can be heard as Tigrana in Puccini's Edgar in a recording with the Orchestre National de France led by Yoël Levi.  MaryAnn sang Suzuki in Madama Butterfly with Opera Colorado, the role of Nefertiti in Phillip Glass' Akhnaten with the Atlanta Opera, and performances of Das Lied Von der Erde with the Orchestra Verdi in Milan; a piece she has also performed with the Chamber Orchestra of Philadelphia to standing ovations.  She also created the roles of Grandma Josephine and Mrs. Teavee for the world premiere of Peter Ash's "The Golden Ticket" with the Opera Theater of St. Louis, based on the book "Charlie and the Chocolate Factory". Recent engagements include Mahler Symphony no. 2 "Resurrection" with the Spokane Symphony for which the press wrote "We were all so fortunate that the voice we heard was McCormick's".  MaryAnn returned to the Metropolitan Opera this season to sing again in their production of Die Walküre and as Soeur Mathilde in their critically acclaimed production of Dialogues of the Carmelites. Upcoming engagements including Act III of Die Walküre at the Tanglewood festival this July with the Boston Symphony, performances as Suzuki in Madama Butterfly at Lyric Opera of Chicago during their 2013-14 season, and in the North American premiere of Huang Ruo's opera Dr. Sun Yat-Sen, sung in Chinese, for Santa Fe Opera's 2014 season. For more information, please see www.maryannmccormick.com 

Charles Reid, Tenor

CPC welcomes back to this season's schedule, tenor Charles Reid. Columbia audiences will remember his many performances in Messiah and in Verdi's Requiem, Janácek's Otce nás, and Dvořák's Stabat Mater. Praised in Opernwelt for his “marvelous timbre, consistent throughout, well focused, excellently agile voice,” Charles Reid is being recognized as one of his generation’s leading lyric tenors. He has sung on many of the most famous international stages, including nine seasons with New York’s Metropolitan Opera, San Francisco Opera, Theater an der Wien, Frankfurt Opera, Deutsche Oper am Rhein and the festivals of Bayreuth, Salzburg, Spoleto USA, and Glimmerglass. Upcoming events include Mr. Reid’s return to Theater an der Wien as Wolfgang Captio in Hindemith's Mathis der Maler, Theater Hagen as Don Jose in Bizet's Carmen, and concert debuts with National Orchestre de Lyon, Beethoven Orchester Bonn, Virginia Symphony Orchestra, and Buffalo Philharmonic.
Mr. Reid’s most recent performances include debuts as Rodolfo (La Boheme), Nadir (Les pecheurs de perles), Sam (Susannah), Claudio (Das Liebesverbot) and his return to the roster of the Metropolitan Opera where he covered Demetrius in Jeremy Sam's The Enchanted Island. In previous seasons, Charles earned acclaim for performances of Alfredo, Duca di Mantua, Macduff, Nemorino, Cassio, Tamino, and Don Ottavio with the Nationaltheater Mannheim, Deutsche Oper am Rhein (Düsseldorf), Hessisches Staatstheater Wiesbaden, Stadttheater Gießen, and Theather Wintherthur. Beyond the Germanic countries, Mr. Reid has been heard as Tito under the baton of Adam Fischer in Barcelona and Madrid. Additionally, he performed the little known Mozart opera, Ascanio in Alba, in Mexico City. For his Alfredo, renowned critic Gabor Halasz writes, “Charles Reid gave a vocal and musical performance of Alfredo without any limitations or boundaries, with a shimmering tenor voice, flawless technique, extraordinary feeling for style, and very clear intonation.”
Equally at home on the concert stage, past appearances include Boston’s Handel and Haydn Society, Radio Symphony Orchestra Vienna, Lisbon's Gulbenkian Symphony Orchestra, Rochester Philharmonic Orchestra, Washington, D.C.'s National Symphony, Lincoln Center’s Mostly Mozart Festival, Nashville Symphony, Madison Symphony Orchestra, Harrisburg Symphony, Berkshire Choral Festival, and the U.S. Naval Academy. Mr. Reid’s growing concert repertoire now includes over 35 masterwork compositions.
Mr. Reid’s recent recordings include Haydn’s The Seasons with Amor Artis Baroque Orchestra and a DVD release of Katharina Wagner’s Die Meistersinger von Nürnberg with the Bayreuther Festspiele. In addition, Charles can be heard on the Deutsche Grammaphon DVD of Mozart’s Ascanio in Alba with the Salzburger Festspiele. Charles is also on Gothic Records singing the tenor solos in Alice Parker’s Melodious Accord with the Master Chorale of Washington.
In addition to his performance schedule, Mr. Reid has recently been appointed Director of Vocal Studies at Andrews University where he serves as Associate Professor and Artist in Residence. He also produces the podcast, This Opera Life, available through his website and iTunes. Charles is the recipient of prestigious awards from the Richard Tucker Music Foundation, Loren L. Zachary National Vocal Competition, Florida Grand Opera YPO Competition, Connecticut Opera Competition, and the Marjorie Lawrence International Vocal Competition.

Lester Lynch, Baritone

Lester Lynch is recognized as one of today's most promising Verdi baritones.  Hailed by the New York Times as "magnificently forceful," for his Carnegie Hall performance at the Marilyn Horne Foundation Gala, Lynch has been praised for his performances at major opera companies throughout the world.  A native of Ohio, Mr. Lynch has studied at the Julliard Opera School before making his debut as Marcello in La Boheme with New York City Opera.  Other important debuts followed, including Gremont in La Traviata with Houston Grand Opera, Count di Luna in Il Travatore with Deutsche Oper am Rhein and Seattle Opera and Flint in Billy Budd with Canadian Opera Company.  The baritone has enjoyed long association with Opera Theatre of St. Louis where he has received critical acclaim for his performance of Calchas in Le Belle Helene, Marcello in La Boheme, and the bartender in Susa's Black River.  Just this past summer, Lester was heard as Paolo in the Santa Fe Opera's new production of Simone Boccanegra, where the New Mexican said he sang "with imposing force," and that when he was on stage, "the air snapped."  Mr. Lynch has also recently joined the roster of the Lyric Opera of Chicago as Alfio/Tonio in Cavelleria Rusticana and I Pagliacci as well as a return to the company for the High Priest in Samson and Dalila. Mr. Lynch made an important debut in the title role of Rigoletto with Dayton Opera, where he was noted for his "powerful and intensely moving" performance of the tragic jester. More information at http://www.mirshakartists.com/artists_baritones.asp

Amy Van Roekel, Soprano

Praised by the Washington Post as a “lovely singer and accomplished actress” with “limpid tone and agile high notes”, soprano Amy van Roekel has established herself as a vibrant and captivating performer on both the operatic and concert stage. Ms. van Roekel has received accolades for her performances on both the operatic and concert stage.  Her operatic appearances include roles with Florida Grand Opera, Lyric Opera Cleveland, Central City Opera and Chautauqua Opera.  She also has a passion for new music and has worked extensively with American Opera Projects, based in Brooklyn, and is called on frequently by composers to premiere their new works.  As a soloist she has performed with the Virginia Symphony, the Louisiana Philharmonic, the National Symphony Orchestra, the Santa Fe Symphony, the Buffalo Philharmonic, and the Chamber Orchestra of Philadelphia.  She has also been a featured artist with the New York City Ballet, performing American standards under the baton of George Steel and his Gotham City Orchestra in St-Rémy, France. 

She has been involved in several exciting premieres including Opera After Hours – a compilation of several short operas woven together by acclaimed director, Christopher Alden at New York City’s cutting-edge Zipper Factory Theater; the world premiere of Oresteia, - a multi-media opera by Iannis Xenakis performed in ancient Greek at the Miller Theatre in New York City; and The Machine Awakes, composed by Stephen Andrew Taylor specifically for Ms. van Roekel with a commission by Sinfonia da Camera at the University of Illinois. The Machine Awakes was released on CD in the fall of 2009 on Albany Records. Amy has received many awards and honors that include being a 1st Place winner of the National Symphony Orchestra’s Concerto Competition, a Regional Finalist in the Metropolitan Opera National Council Auditions, and a two-time award winner in the Washington International Competition for Singers. Also an accomplished pianist, Amy van Roekel holds degrees from the University of Michigan and the University of Maryland. Her website is at: http://www.amyvanroekel.com

Alison Gatwood, Pianist

Alison Gatwood is an award-winning performer and educator. Born on the island of Guam, Alison studied piano with Charles Crowder at The American University and won local competitions before graduating with distinction from The Eastman School of Music in Rochester, New York, where she studied piano with Barry Snyder. Alison took her Master's degree in piano performance with distinction, studying with Leon Fleisher at the Peabody Conservatory in Baltimore. Ms. Gatwood remains active as a pianist and music teacher. Ms. Gatwood was the head of the Music Department at Stevenson University in Baltimore for five years. After her son Jacob was born, Alison accepted her present position as a Music Specialist for the Howard County School System. She currently teaches vocal and general music at Thunder Hill Elementary, Howard County’s only certified Arts Integration School.

Alison was the Music Director at St. Andrew's Episcopal Church in Glenwood, Maryland for twenty years, and composed more than one hundred songs for use in worship. Alison is currently on staff with the Unitarian Universalist Congregation of Columbia and serves as Youth Music Director. She was a founding member of the Music Leadership Team for Howard County Public Schools, and was chosen to be Music Educator of the Year. She was also nominated for a "Howie" Award for Outstanding Music Educator. Alison served for ten years on the Martin Luther King Jr. Commission for Human Rights, on the Howard County Arts Council Artistic Review Panel and on the Peabody Alumni Steering Committee. Additional awards include the Oscar Mayer Weiner Award, which brought the famous Weinermobile to Columbia.

Ms. Gatwood has been associated with the Columbia Pro Cantare Chorus since 1985. She is frequently heard as pianist and soprano soloist with this group, and with them has toured the Czech Republic and Poland. Described by the Baltimore Sun as a "lustrous soprano with a high degree of musical intelligence", Alison has premiered three works by composer Tom Benjamin: song cycles based on the poetry of Rumi and Emily Dickinson, and the "Old Brick" Oratorio premiere at Christ Episcopal Church in 2011. Alison sang Elgar’s "Sea Pictures" with the St. John’s Orchestra and studies voice with mezzo-soprano Marianna Busching. Alison performs frequently with her husband, concert violinist Jody Gatwood.

Laura Whittenberger, Soprano

Soprano Laura Whittenberger has been described as “charming and perfectly cast as a flirtatious ingénue” (DC Metro Theater Arts Review). Recent credits include opera, operetta, musical and concert performances in the Baltimore and Washington, D.C areas.
Laura made her professional concert debut as soloist with the VA Medical-Musical orchestra in a televised 2011 Veteran’s Day concert at the National Basilica. In 2012-13, she has appeared as soprano soloist for Haydn’s Kleine Orgelmesse, Carmina Burana, and the Messiah.
This year Laura has sung as Susanna in Le Nozze di Figaro, Anna in The King and I, and (upcoming) Adele in Die Fledermaus at regional music festivals, and performed as the title role in Lakmé with the Peabody Opera Theatre. With the Peabody Conservatory, Laura has performed at Baltimore’s Lyric Opera House (as Gilda in Rigoletto scenes) and was featured in the Thursday Noon Recital Series, singing Strauss’s Op. 36 Vier Lieder.
Laura is also active in Maryland operetta and musical theater. In 2012-13 she appeared as Julie Jordan in Carousel, Rose in Meet Me in St. Louis, Rose Green in Sousa’s operetta The American Maid, and (upcoming) Lily in The Secret Garden.
Laura is pursuing her Graduate Performance Diploma at the Peabody Conservatory, in the studio of Dr. Stanley Cornett, and finished her Bachelor of Music in Vocal Performance and Bachelor of Arts in English at Indiana University. She holds a teaching certificate in ESL (TEFL), and studied and worked in Leipzig, Germany as an ESL instructor. She currently teaches ESL at Howard Community College and the Peabody Conservatory. For future upcoming performances and more information, please visit: www.laurawhittenberger.com

Eric Apland

Erik Apland, pianist, is a graduate of South Dakota State University and the University of Cincinnati College-Conservatory of Music, and has completed degrees in classical piano. He attained commercial music experience as a show-band and dance-orchestra leader on several ships in the cruise industry. After a brief period as a music educator in his home state of South Dakota, Erik became the band leader aboard the legendary Delta Queen, a steamboat that sails the Mississippi and Ohio River systems. In 1999 he joined "The President's Own" United States Marine Band and became a sought-after free-lancer in the Baltimore-Washington area. Erik joined the Peabody Ragtime Ensemble in 2005. Additional; information is available at:

Rachel Blaustein

Praised for "garnering audience approval as a true standout”, Soprano Rachel Blaustein is known for her stage presence, her distinct artistry, and her willingness and ability to tackle the entire range of classical music from Baroque opera to contemporary compositions. This upcoming Spring, Rachel will be performing the leading role of Konstanze in Mozart's Die Entführung aus dem Serail with the Peabody Conservatory. The performances will be held at the Baltimore Lyric Opera House in March 2015. Previously a Studio Artist with Chautauqua Opera Company (2013), Rachel will be an Apprentice Artist with the Des Moines Metro Opera Company this summer. Opera credits include: Nannetta (cover –Falstaff), Zerlina (Don Giovanni), the Sandman/Dew Fairy (Hansel and Gretel), and the title roles in both Alcina and Princess Ida. Active in concert and competition, Rachel will be making her Kennedy Center debut in February on behalf of The Peabody Institute as a part of the Conservatory Project concert series. Recently, she gave the New York Premiere of a new music composition by composer, Christopher Cresswell, entitled hesheyoumeus. Previously, she has appeared as the soprano soloist in Handel’s Messiah with the Amadeus Orchestra and has sung in many concerts with various companies in the area, one being the Maryland Lyric Opera.

In competition, Rachel received an Encouragement Award from the 2014 Metropolitan Opera National Council Auditions - D.C. District. She placed Second in the 2014 Sylvia Green Vocal Competition with Peabody Conservatory, was a semi-finalist in the Partner for the Arts Competition (2013), a National Finalist in the Classical Singer Magazine Competition (2012), and won 1st place in New York City’s NATS Competition (2011).

 A native of Olney, Maryland, Rachel graduated cum laude from Hofstra University with a Bachelor of Science in Vocal Performance and a minor in drama. Rachel is currently pursuing her Master of Music degree in Vocal Performance at the Peabody Institute of The Johns Hopkins University, where she studies under the direction of Phyllis Bryn-Julson and Stanley Cornett. Her degree at Peabody is supported in part by the Arno and Ruth Drucker Scholarship and the Georgia McEver Endowed Scholarship for Voice.

Leah Serr

Mezzo-soprano, Leah Kaye Serr, is establishing herself as a singer and actress of "strength and lyrical beauty." Already forging a fine professional career, Ms. Serr has participated in young artist programs including Sarasota Opera, Des Moines Metro Opera, Knoxville Opera and Central City Opera where she performed the role of Annina in La Traviata and covered the role of Dorothée in Cendrillon. In the Châteauville Foundation Residency Program for young artists she covered the role of Lucretia in The Rape of Lucretia, conducted by Maestro Lorin Maazel.

Ms. Serr was an undergraduate student of Dr. Stanley Cornett at The Peabody Conservatory of Johns Hopkins University, where she performed the roles of Meg Page in Falstaff, Miss Jessel in The Turn of the Screw and Lucretia in The Rape of Lucretia where she was hailed as "lovely and vocally incisive as Lucretia, convincing as she lost her mind after the rape scene." In recent seasons, Ms. Serr sang Emma Jones in Street Scene, Donna Elvira in (Don Giovanni, Elizabeth Proctor in The Crucible, and Zita in Gianni Schicchi with the University of Tennessee Opera Theatre, where she completed her Master's Degree under the vocal direction of renowned mezzo-soprano Lorraine DiSimone. Ms. Serr also performed the mainstage roles of Giovanna in Rigoletto and Kate in The Pirates of Penzance as a member of the Knoxville Opera Studio program during its 2009 and 2010 seasons.

In 2011, Ms. Serr was selected for 3rd place in The American Prize National Competition for Vocal Performance in the College and University Art Song Division. She sang the alto solo in Dvorak's Stabat Mater with the Tampa Oratorio Singers. As an Apprentice Artist with the Sarasota Opera Company for the 2011 winter and fall seasons, she performed the role of Mercy Lewis in The Crucible and covered the role of Suzuki in Madama Butterfly. She also was the recipient of the prestigious Sarasota Opera Guild Award. Additionally, Ms. Serr sang the role of Giovanna in Sarasota Opera's 2012 fall production of IRigoletto.

In January 2013, Ms. Serr participated in the Middle/East Tennessee District Metropolitan Opera Competition and was chosen to advance to the Mid-South Region competition in Memphis, TN. Wrapping up the 2013 fall season with the Knoxville Opera Company, she performed the role of the Muse and Nicklausse in Offenbach's Les Contes d'Hoffmann, where she was acclaimed as bringing "a stylish persona and a powerful mezzo to the dual roles".

Ms. Serr was a winner in the Metropolitan Opera National Council Auditions, Knoxville District, and competed in the Southeast Regionals competition in Memphis.

John Chong Yoon Noh

Tenor John Chong Yoon Noh, a native South Korean from Seoul, is drawing attention for his belcanto style of singing with expressive, youthful, and lyrical voice. He is currently a junior at Peabody Institute of Johns Hopkins University, pursuing a bachelor’s degree in voice under the tutelage of Dr. Stanley Cornett. 

Mr. Noh has sung major roles in various opera productions including Nemorino in scenes from L’elisir d’amore at the Peabody Opera Theatre (2011), Lucano in L’incoronazione di Poppea (2013), Lysander in A Midsummer Night’s dream by Benjamin Britten (2014), and Rinuccio in Puccini’s Gianni Schicchi presented by the Amalfi Coast Music Festival in Naples, Italy (2014). In the upcoming year, Mr. Noh will be singing the role of Belmonte in Peabody's Die Entführung aus dem Serail at the Modell Performing Arts Center at the Lyric in Baltimore.

As a concert soloist, Mr. Noh has performed in Mozart’s Great Mass in c minor with Concert Artists of Baltimore, Great Mass in c minor, and Schubert’s G minor Mass with the Peabody Concert Orchestra, Peabody Singers, and Peabody/Hopkins Chorus.

Mr. Noh is also a 2nd place winner at the FMMC competition and a recipient of the Marc Von May Tenor, Baritone or Bass Scholarship through the Peabody Institute.

Steven Eddy


Baritone Steven Eddy, praised for his “polished baritone and acting skills” (AnnArbor.com) and “sterling musical and physical work” (stagehappenings.com), is establishing himself as a versatile young performer with a broad repertoire spanning opera, oratorio, and art song.


A former member of the Fort Worth Opera Studio, he returned to the 2014 Fort Worth Opera Festival in critically acclaimed performances as Ponchel in Silent Night one year after his debut with the company as Harlekin in Ariadne auf Naxos. Other operatic credits include Dancaïre (Carmen), Figaro (The Barber of Seville), Aeneas (Dido & Aeneas), Schaunard (La bohème), Nick Shadow (The Rake’s Progress), Ford (Falstaff), John Brooke (Little Women), Belcore (L’elisir d’amore), Guglielmo (Così fan tutte) and Dr. Pangloss/Voltaire (Candide).


An avid concert performer, Mr. Eddy has sung as a soloist in Handel’s Messiah, Orff’s Carmina Burana, Bach’s St. Matthew Passion, Mass in B Minor and various cantatas, Mozart’s Requiem and Mass in C minor, Duruflé’s Requiem, and Monteverdi’s Vespro della Beata Vergine. As a 2010-2011 graduate winner of the University of Michigan School of Music, Theatre & Dance’s annual Concerto Competition, he had the privilege of performing Mahler’s Lieder eines fahrenden Gesellen with the University Symphony Orchestra, under the direction of Kenneth Kiesler.


Mr. Eddy has also received great praise as an interpreter of works in the art song repertory. He was recently a Marc & Eva Stern Fellow with SongFest at Colburn, where he had the opportunity to collaborate on art song concerts and masterclasses with such luminaries as Graham Johnson, Rudolf Piernay, Jake Heggie, John Musto and Sanford Sylvan. Prior to this, he was a Vocal Arts Fellow of the Tanglewood Music Center in 2012 and 2013, where he collaborated with Phyllis Curtin, Stephanie Blythe, Alan Smith, and Håkan Hagegård. During his studies at the University of Michigan, he worked closely with celebrated collaborative pianist Martin Katz on a wide variety of art song and opera projects.


Mr. Eddy has received awards at the District and Regional levels of the Metropolitan Opera National Council Auditions, as well as the Joy in Singing, Dallas Opera Guild, Maryland's Howard County Arts Council Rising Star, and University of Michigan Friends of Opera competitions. He was also the recipient of the Earl V. Moore Award in Music from the University of Michigan.