This season's guest artists:
Mary Ann McCormick, Mezzo-soprano
Internationally acclaimed mezzo-soprano MaryAnn McCormick has been hailed in the press as "charismatic", "spell-binding",and "elegant". Her international credits include Isabella in L'italiana in Algeri at La Scala, Azucena in Il trovatore at the Teatro Regio Torino, and First Maid in Elektra with Christoph von Dohnanyi at the Opéra National de Paris. She has also performed Maddalena in Rigoletto under Daniele Gatti at the Teatro Comunale di Bologna and with Seattle Opera and Gluck's Alceste under Bruno Bartoletti at the Teatro Regio di Parma. Her recent accomplishments include performances as"Carmen" with Theater St. Gallen, Switzerland of which the critics wrote "She acts and sings a wonderful Carmen" a role she has also performed with Teatro dell'Opera di Roma, Teatro Regio di Torino and the Staatsoper Stuttgart among others. MaryAnn returned to the Metropolitan Opera in their 2011 season to sing the role of Grimgerde in their new production of Die Walküre which was broadcast in HD in theaters internationally. This production part of the complete Ring Cycle was recently released on DVD and also won the 2012 Grammy award for Best Classical Album. In recent seasons she made debuts with both Teatro la Fenice in Die Walküre conducted byJeffrey Tate and Teatro dell'Opera di Roma as "Priyamvada" in Alfano's Sakuntala. She can be heard as Tigrana in Puccini's Edgar in a recording with the Orchestre National de France led by Yoël Levi. MaryAnn sang Suzuki in Madama Butterfly with Opera Colorado, the role of Nefertiti in Phillip Glass' Akhnaten with the Atlanta Opera, and performances of Das Lied Von der Erde with the Orchestra Verdi in Milan; a piece she has also performed with the Chamber Orchestra of Philadelphia to standing ovations. She also created the roles of Grandma Josephine and Mrs. Teavee for the world premiere of Peter Ash's "The Golden Ticket" with the Opera Theater of St. Louis, based on the book "Charlie and the Chocolate Factory". Recent engagements include Mahler Symphony no. 2 "Resurrection" with the Spokane Symphony for which the press wrote "We were all so fortunate that the voice we heard was McCormick's". MaryAnn returned to the Metropolitan Opera this season to sing again in their production of Die Walküre and as Soeur Mathilde in their critically acclaimed production of Dialogues of the Carmelites. Upcoming engagements including Act III of Die Walküre at the Tanglewood festival this July with the Boston Symphony, performances as Suzuki in Madama Butterfly at Lyric Opera of Chicago during their 2013-14 season, and in the North American premiere of Huang Ruo's opera Dr. Sun Yat-Sen, sung in Chinese, for Santa Fe Opera's 2014 season. For more information, please see www.maryannmccormick.com
Charles Reid, Tenor
CPC welcomes back to this season's
schedule, tenor Charles Reid. Columbia audiences will remember his many performances in Messiah
and in Verdi's Requiem,
Janácek's Otce nás,
and Dvořák's Stabat Mater.
Praised in Opernwelt for his “marvelous timbre, consistent
throughout, well focused, excellently agile voice,” Charles Reid is
being recognized as one of his generation’s leading lyric tenors. He has
sung on many of the most famous international stages, including nine
seasons with New York’s Metropolitan Opera, San Francisco Opera, Theater
an der Wien, Frankfurt Opera, Deutsche Oper am Rhein and the festivals
of Bayreuth, Salzburg, Spoleto USA, and Glimmerglass. Upcoming events
include Mr. Reid’s return to Theater an der Wien as Wolfgang Captio in
Hindemith's Mathis der Maler, Theater Hagen as Don Jose in
Bizet's Carmen, and concert debuts with National Orchestre de
Lyon, Beethoven Orchester Bonn, Virginia Symphony Orchestra, and Buffalo
Lester Lynch, Baritone
Lester Lynch is recognized as one of today's most promising Verdi baritones. Hailed by the New York Times as "magnificently forceful," for his Carnegie Hall performance at the Marilyn Horne Foundation Gala, Lynch has been praised for his performances at major opera companies throughout the world. A native of Ohio, Mr. Lynch has studied at the Julliard Opera School before making his debut as Marcello in La Boheme with New York City Opera. Other important debuts followed, including Gremont in La Traviata with Houston Grand Opera, Count di Luna in Il Travatore with Deutsche Oper am Rhein and Seattle Opera and Flint in Billy Budd with Canadian Opera Company. The baritone has enjoyed long association with Opera Theatre of St. Louis where he has received critical acclaim for his performance of Calchas in Le Belle Helene, Marcello in La Boheme, and the bartender in Susa's Black River. Just this past summer, Lester was heard as Paolo in the Santa Fe Opera's new production of Simone Boccanegra, where the New Mexican said he sang "with imposing force," and that when he was on stage, "the air snapped." Mr. Lynch has also recently joined the roster of the Lyric Opera of Chicago as Alfio/Tonio in Cavelleria Rusticana and I Pagliacci as well as a return to the company for the High Priest in Samson and Dalila. Mr. Lynch made an important debut in the title role of Rigoletto with Dayton Opera, where he was noted for his "powerful and intensely moving" performance of the tragic jester. More information at http://www.mirshakartists.com/artists_baritones.asp
Amy Van Roekel, Soprano
Praised by the Washington Post as a “lovely singer and accomplished actress” with “limpid tone and agile high notes”, soprano Amy van Roekel has established herself as a vibrant and captivating performer on both the operatic and concert stage. Ms. van Roekel has received accolades for her performances on both the operatic and concert stage. Her operatic appearances include roles with Florida Grand Opera, Lyric Opera Cleveland, Central City Opera and Chautauqua Opera. She also has a passion for new music and has worked extensively with American Opera Projects, based in Brooklyn, and is called on frequently by composers to premiere their new works. As a soloist she has performed with the Virginia Symphony, the Louisiana Philharmonic, the National Symphony Orchestra, the Santa Fe Symphony, the Buffalo Philharmonic, and the Chamber Orchestra of Philadelphia. She has also been a featured artist with the New York City Ballet, performing American standards under the baton of George Steel and his Gotham City Orchestra in St-Rémy, France.
She has been involved in several exciting premieres including Opera After Hours – a compilation of several short operas woven together by acclaimed director, Christopher Alden at New York City’s cutting-edge Zipper Factory Theater; the world premiere of Oresteia, - a multi-media opera by Iannis Xenakis performed in ancient Greek at the Miller Theatre in New York City; and The Machine Awakes, composed by Stephen Andrew Taylor specifically for Ms. van Roekel with a commission by Sinfonia da Camera at the University of Illinois. The Machine Awakes was released on CD in the fall of 2009 on Albany Records. Amy has received many awards and honors that include being a 1st Place winner of the National Symphony Orchestra’s Concerto Competition, a Regional Finalist in the Metropolitan Opera National Council Auditions, and a two-time award winner in the Washington International Competition for Singers. Also an accomplished pianist, Amy van Roekel holds degrees from the University of Michigan and the University of Maryland. Her website is at: http://www.amyvanroekel.com
Alison Gatwood, Pianist
Alison Gatwood is an award-winning performer and educator. Born on the island of Guam, Alison studied piano with Charles Crowder at The American University and won local competitions before graduating with distinction from The Eastman School of Music in Rochester, New York, where she studied piano with Barry Snyder. Alison took her Master's degree in piano performance with distinction, studying with Leon Fleisher at the Peabody Conservatory in Baltimore. Ms. Gatwood remains active as a pianist and music teacher. Ms. Gatwood was the head of the Music Department at Stevenson University in Baltimore for five years. After her son Jacob was born, Alison accepted her present position as a Music Specialist for the Howard County School System. She currently teaches vocal and general music at Thunder Hill Elementary, Howard County’s only certified Arts Integration School.
Alison was the Music Director at St. Andrew's Episcopal Church in Glenwood, Maryland for twenty years, and composed more than one hundred songs for use in worship. Alison is currently on staff with the Unitarian Universalist Congregation of Columbia and serves as Youth Music Director. She was a founding member of the Music Leadership Team for Howard County Public Schools, and was chosen to be Music Educator of the Year. She was also nominated for a "Howie" Award for Outstanding Music Educator. Alison served for ten years on the Martin Luther King Jr. Commission for Human Rights, on the Howard County Arts Council Artistic Review Panel and on the Peabody Alumni Steering Committee. Additional awards include the Oscar Mayer Weiner Award, which brought the famous Weinermobile to Columbia.
Ms. Gatwood has been associated with the Columbia Pro Cantare Chorus since 1985. She is frequently heard as pianist and soprano soloist with this group, and with them has toured the Czech Republic and Poland. Described by the Baltimore Sun as a "lustrous soprano with a high degree of musical intelligence", Alison has premiered three works by composer Tom Benjamin: song cycles based on the poetry of Rumi and Emily Dickinson, and the "Old Brick" Oratorio premiere at Christ Episcopal Church in 2011. Alison sang Elgar’s "Sea Pictures" with the St. John’s Orchestra and studies voice with mezzo-soprano Marianna Busching. Alison performs frequently with her husband, concert violinist Jody Gatwood.
Laura Whittenberger, Soprano
Laura Whittenberger has been described as “charming and perfectly
cast as a flirtatious ingénue” (
Apland, pianist, is a
graduate of South Dakota State University and the University of
Cincinnati College-Conservatory of Music, and has completed degrees in
classical piano. He attained commercial music experience as a show-band
and dance-orchestra leader on several ships in the cruise industry.
After a brief period as a music educator in his home state of South
Dakota, Erik became the band leader aboard the legendary Delta Queen, a
steamboat that sails the Mississippi and Ohio River systems. In 1999 he
joined "The President's Own" United States Marine Band and became a
sought-after free-lancer in the Baltimore-Washington area. Erik joined
the Peabody Ragtime Ensemble in 2005. Additional; information is
Jennifer Holbrook, soprano, has been praised by the Baltimore Sun for her “radiant, silvery voice, gleaming agility and elegant style.” Recent performances include Leila in The Pearl Fishers with Opera Delaware, Adalgisa in Norma with Baltimore Concert Opera, Violetta in La Traviata with Center City Opera Theater, Donna Anna in Don Giovanni with Repertory Opera Theater of Washington, the title role in Massenet’s Manon with Peabody Opera, Juliette in Gounod’s Romeo et Juliette with Bel Cantanti Opera and Echo in Ariadne auf Naxos with Seattle Opera’s Young Artist Program. Other recent operatic roles include Fiordiligi in Così fan tutte, Donna Elvira in Don Giovanni, Violetta in La Traviata and Konstanze in Die Entführung aus dem Serail.
Ms. Holbrook performed the roles of Violetta in La Traviata, Gunnhild in Satan's Bride and in numerous Cabaret concerts with the Center City Opera Theater of Philadelphia as part of their 2012-2013 season. In 2012 Ms. Holbrook made her debut at the Model Performing Arts Center at The Lyric Opera House, performing as soprano soloist in Orff’s Carmina Burana with Concert Artists of Baltimore. She has also performed as soprano soloist in the Mozart Requiem with the Sioux City Symphony, as a featured soloist in the 2011 International Music Festival at the State Conservatory in St. Petersburg, Russia, and as a guest artist with the Fuzhou Philharmonic Orchestra in Fuzhou, China.
Ms. Holbrook attended the University of Central Arkansas where she received a Bachelor of Music under the tutelage of Dr. Martha Antolik. She continued her studies at the Peabody Institute of the Johns Hopkins University where she was a recipient of the Lydia Richard Gillespie Endowed Scholarship and studied with soprano Phyllis Bryn-Julson. Ms. Holbrook completed a Master of Music in Vocal Performance and a Graduate Performance Diploma in Opera. While at Peabody Ms. Holbrook performed as a soloist in Haydn’s Lord Nelson Mass, Mozart’s Mass in C Minor and Mahler’s Fourth Symphony with the Peabody Symphony Orchestra. As a winner of the 2010 Art Song Discovery Series she presented four art song recitals with Vocal Arts DC. Ms. Holbrook was a District winner of the Metropolitan Opera’s National Council Auditions, a winner in the Virginia Opera Bravissimo Society Competition, the Russell C. Wonderlic Voice Competition, the Rhode Island Bel Canto Competition, the Sylvia Green Competition and a two-time winner of the University of Central Arkansas Aria/Concerto Competition. Ms. Holbrook is currently a student of Donata D'Annunzio Lombardi.
Leah SerrMezzo-soprano, Leah Kaye Serr, is establishing herself as a singer and actress of "strength and lyrical beauty." Already forging a fine professional career, Ms. Serr has participated in young artist programs including Sarasota Opera, Des Moines Metro Opera, Knoxville Opera and Central City Opera where she performed the role of Annina in La Traviata and covered the role of Dorothée in Cendrillon. In the Châteauville Foundation Residency Program for young artists she covered the role of Lucretia in The Rape of Lucretia, conducted by Maestro Lorin Maazel.
Ms. Serr was an undergraduate student of Dr. Stanley Cornett at The Peabody Conservatory of Johns Hopkins University, where she performed the roles of Meg Page in Falstaff, Miss Jessel in The Turn of the Screw and Lucretia in The Rape of Lucretia where she was hailed as "lovely and vocally incisive as Lucretia, convincing as she lost her mind after the rape scene." In recent seasons, Ms. Serr sang Emma Jones in Street Scene, Donna Elvira in (Don Giovanni, Elizabeth Proctor in The Crucible, and Zita in Gianni Schicchi with the University of Tennessee Opera Theatre, where she completed her Master's Degree under the vocal direction of renowned mezzo-soprano Lorraine DiSimone. Ms. Serr also performed the mainstage roles of Giovanna in Rigoletto and Kate in The Pirates of Penzance as a member of the Knoxville Opera Studio program during its 2009 and 2010 seasons.
In 2011, Ms. Serr was selected for 3rd place in The American Prize National Competition for Vocal Performance in the College and University Art Song Division. She sang the alto solo in Dvorak's Stabat Mater with the Tampa Oratorio Singers. As an Apprentice Artist with the Sarasota Opera Company for the 2011 winter and fall seasons, she performed the role of Mercy Lewis in The Crucible and covered the role of Suzuki in Madama Butterfly. She also was the recipient of the prestigious Sarasota Opera Guild Award. Additionally, Ms. Serr sang the role of Giovanna in Sarasota Opera's 2012 fall production of IRigoletto.
In January 2013, Ms. Serr participated in the Middle/East Tennessee District Metropolitan Opera Competition and was chosen to advance to the Mid-South Region competition in Memphis, TN. Wrapping up the 2013 fall season with the Knoxville Opera Company, she performed the role of the Muse and Nicklausse in Offenbach's Les Contes d'Hoffmann, where she was acclaimed as bringing "a stylish persona and a powerful mezzo to the dual roles".
Ms. Serrwas a winner in the Metropolitan Opera National Council Auditions, Knoxville District, and competed in the Southeast Regionals competition in Memphis.
John Chong Yoon Noh
Tenor John Chong Yoon Noh, a native South Korean from Seoul, is drawing attention for his belcanto style of singing with expressive, youthful, and lyrical voice. He is currently a junior at Peabody Institute of Johns Hopkins University, pursuing a bachelor’s degree in voice under the tutelage of Dr. Stanley Cornett.
Mr. Noh has sung major roles in various opera productions including Nemorino in scenes from L’elisir d’amore at the Peabody Opera Theatre (2011), Lucano in L’incoronazione di Poppea (2013), Lysander in A Midsummer Night’s dream by Benjamin Britten (2014), and Rinuccio in Puccini’s Gianni Schicchi presented by the Amalfi Coast Music Festival in Naples, Italy (2014). In the upcoming year, Mr. Noh will be singing the role of Belmonte in Peabody's Die Entführung aus dem Serail at the Modell Performing Arts Center at the Lyric in Baltimore.
As a concert soloist, Mr. Noh has performed in Mozart’s Great Mass in c minor with Concert Artists of Baltimore, Great Mass in c minor, and Schubert’s G minor Mass with the Peabody Concert Orchestra, Peabody Singers, and Peabody/Hopkins Chorus.
Mr. Noh is also a 2nd place winner at the FMMC competition and a recipient of the Marc Von May Tenor, Baritone or Bass Scholarship through the Peabody Institute.
Baritone Steven Eddy,